3 Ocak 2013 Perşembe

Christina Aguilera's fuller figure at AMA awards prompts Twitter fire

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Check out the video (above) to watch the interview in its entirety and see how XTina becomes very emotional as she discusses her own childhood and experiences with bullying.She may have struggled back then, but the success of songs like Fighter and Beautiful may have never come to be without them. There's a silver lining if we've ever heard one… 
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Nicki Minaj and Christina Aguilera were blonde bombshells at the AMA Awards on Sunday night. Minaj's hair was busy and full of volume and she sported a neon strapless gown to accept her first award. Aguilera wore a blonde bob in a purple dress that matched her eyeshadow.

Aguilera also performed a medley of material from her new album and joined Pitbull onstage.

But it wasn't her performance, or her hair, that had tongues wagging -- it was Aguilera's much fuller figure. Here are a few representative tweets from AMA viewers:

"Carrie Underwood is what Christina Aguilera thinks she looks like right now. And no one has the heart to tell her "NAWL.""

"Christina Aguilera looks like Snooki. No wait, that's an insult to Snooki."

"Did Christina Aguilera eat one of Willy Wonka's blueberries?"

But Aguilera was not without her Twitter defenders.

"Christina Aguilera looked gorgeous last night. I love this dress and the diva attitude she is serving!"

"Anyone who says Christina Aguilera isnt amazing can leave nearest exit to the left thanks.'

"New hairstyle and looking gorgeous! Christina Aguilera aka Legendtina Godulara!"


Ask any musician alive and they'll tell you FOR SURE, that their greatest songs came from their greatest pain.

See? It pays to have a creative outlet!

It has been 13 years since her genie came creeping out of a bottle, but now Christina Aguilera is a full-grown, 5-tim Grammy winning artist and mommy — and she sees no end in sight.

In promoting her new album Lotus, XTina sat down for an intimate Dateline interview to discuss her journey to this point and shared some interesting realizations about how her journey has influenced her music.

christina aguilera before after 660 reuters.jpg








Via: PerezHilton
Via: FoxNews
Via: Gossiponthis

Bruno Mars stays on top of Billboard's "Hot 100"

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Bruno Mars stays on top of Billboard's "Hot 100" with 'Locked Out of Heaven'

Bruno Mars appears in a photo posted on his Facebook page on January 25, 2012.Bruno Mars appears in a photo posted on his Facebook page on January 25, 2012. (Andreas Laszlo Konrath)

December 23, 2012 ( NEW YORK CITY) -- Atlantic recording artist Bruno Mars is standing tall atop Billboard's "Hot 100" for the second consecutive week as "Locked Out Of Heaven" continues its reign at No. 1.

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The single -- which marks the Grammy Award-winner's fourth chart-topper -- is featured on Mars' just-released sophomore album, "UNORTHODOX JUKEBOX," which has made its SoundScan/Billboard 200 debut at No. 2 with sales in excess of 192,000 -- marking the singer/songwriter/producer/musician's highest first week sales debut.

"UNORTHODOX JUKEBOX" has exploded to the top spot on the British album charts, making history as the United Kingdom's fastest selling solo album of 2012. The album's phenomenal success follows the equivalent popularity of Mars' now classic 2010 debut, "DOO-WOPS & HOOLIGANS," which proved the U.K.'s third best-selling album of 2011 and also entered the charts at No. 1.

"Locked Out Of Heaven" is currently sitting at No. 1 on the European Airplay Chart -- making it the most played song on the European continent. The single is also sitting atop Canada's Hot 100 chart. Stateside, "Heaven" marks Mars' fifth single to hit No. 1 on the BDS Pop Songs chart, tying him with Nelly and Justin Timberlake for the most leaders among solo males. "Heaven" is also the 10th single Mars has written, produced, or performed to hit the top 5 on the overall "Hot 100." In addition, the single is Mars' ninth consecutive top 10 hit on the Billboard "Hot 100 Airplay" chart, sealing his already-established status as the male artist with the longest streak of top 10 hits as a performer since his debut.

Along with its overall chart success, "Locked Out Of Heaven" is an undeniable online sensation, spending multiple days at No. 1 on the iTunes Store's "Top Songs" tally. As if that weren't enough, the "Locked Out Of Heaven" companion video clip is also lighting it up at YouTube, drawing more than 43 million streams thus far at Bruno's official channel, www.youtube.com/brunomars.

This Tuesday saw Mars unveiling the next single from "UNORTHODOX JUKEBOX" with a stunning debut performance of "When I Was Your Man" on the season finale of NBC's smash singing competition series, The Voice (http://www.youtube.com/watch?v-8sYPCAf_1o). The track shot to the top 10 on the iTunes Singles Chart within 48 hours of its release, and did so again following Mars' performance on The Voice. "When I Was Your Man" is currently sitting at No. 8 on the iTunes Singles Chart, and an official companion video is currently in production.


Mars' performance on The Voice follows a string of high profile appearances heralding "UNORTHODOX JUKEBOX," including visits to NBC's TODAY, Fox's The X-Factor, CBS' Sunday Morning and their annual The Victoria's Secret Fashion Show, and the nationally syndicated The Ellen DeGeneres Show. Additionally, Mars' critically acclaimed turn as host and musical guest on NBC's Saturday Night Live -- the episode that marked this season's highest ratings -- will be rebroadcast on Saturday, December 22nd.

As its title suggests, "UNORTHODOX JUKEBOX" once again sees Mars melding a multitude of musical approaches to create his own distinctive sound. Executive produced by The Smeezingtons, the hit-making production team comprised of Mars, Philip Lawrence, and Ari Levine, the collection also features contributions from such top producers as Jeff Bhasker (fun., Kanye West, Jay-Z), Mark Ronson (Amy Winehouse, Lil Wayne, Black Lips) and Diplo (M.I.A, Usher).

"UNORTHODOX JUKEBOX" has quickly earned massive critical acclaim, with Rolling Stone hailing the collection as "a record that makes the competition sound sad and idea-starved by comparison." Entertainment Weekly placed the album atop a recent "Must List," claiming Mars "aims his croon at a range of targets -- reggae, soul, Prince-inspired pop -- and hits the mark every time." Billboard summed it up, declaring that the "boldly ambitious and gloriously irreverent 'UNORTHODOX JUKEBOX' is made for -- and gets better with -- as many repeat plays as you can manage."

Bruno Mars is undoubtedly among contemporary pop's most gifted and compelling artists. And with global sales currently certified at 40x-platinum and over 50 million singles sold worldwide, the 14-time Grammy Award nominee has fully proven himself as a true superstar.

Released in October 2010, "DOO-WOPS & HOOLIGANS" was greeted with both popular success and critical acclaim from all corners of the globe. "The year's finest pop debut," raved Rolling Stone. "Near-flawless...(the album) delivers pleasure without pretension." Fueled by a remarkable string of hit singles, including the multi-platinum ?1 smashes, "Just The Way You Are" and "Grenade," the album instantly confirmed Mars as a major force in modern pop music.

Mars soon racked up a remarkable record of prestigious international awards and nominations, with victories including a "Best Male Pop Vocal Performance" Grammy Award (for "Just The Way You Are"), an American Music Award for "Pop or Rock Music/Favorite Male Artist," a 2012 Brit Award (for "International Male Solo Artist"), two Teen Choice Awards, a 2012 People's Choice Award (for "Favorite Male Artist"), a Soul Train Music Award, two MTV Europe Music Awards, two MTV Music Awards Japan, a BT Digital Music Award, an ECHO Award, and multiple 2011 Billboard Awards including "Top Male Hot 100 Artist of the Year."

As if that weren't enough, Mars received a truly stunning assortment of 2011 and 2012 honors from ASCAP, including the ASCAP Pop Award for "Song of the Year" (for "Just The Way You Are"). In 2011, he was named to the prestigious Time 100, confirming the superstar as one of the most influential people in the world.
 

Nothing ‘Unorthodox’ Here, but Bruno Mars 
Shows His Pop Chops
Bruno Mars shows flashes of great pop music artistry on his sophomore album but borrows heavily from the past. (EPA Photo/Andrew Gombert) Bruno Mars shows flashes of great pop music artistry on his sophomore album but borrows heavily from the past. (EPA Photo/Andrew Gombert)    


It is somewhat ironic that the first time I really paid attention to Bruno Mars as a singer-songwriter was when he was performing someone else’s song.

At the MTV Video Music Awards ceremony in 2011, Mars performed the song “Valerie” as a tribute to the recently deceased Amy Winehouse, who made the song written by the Zutons one of her biggest hits.

Backed by a big band, Mars gave an impressive rendition in a throwback style to the early rock ’n’ rollers of the 1950s, showing off his talent and popular music savvy.

Listeners are treated to a similarly impressive performance in his second studio album, “Unorthodox Jukebox,” released earlier this month.

A follow-up to the massively successful 2010 debut “Doo-Wops & Hooligans,” the latest offering from Mars is sure to maintain his place in the popular music stratosphere.

Mars has talent and he is looking after it. Apart from penning his own songs, he also writes for others, produces as part of the production team known as the Smeezingtons, and — as the VMA performance showed — is a genuine and natural entertainer, in contrast to the packaged and produced “stars” that emerge from too many TV talent shows.

“Unorthodox Jukebox” shows Mars as an artist with the ability to span genres and produce memorable, if somewhat formulaic, pop songs.

The title of the album appears to be half true and half false. It’s true that Mars has the ability to be something of a one-man “jukebox” with the variety of songs that he can deliver, but “unorthodox” is really a false description.

Listening to the album, you may find yourself thinking, “This is a time warp and I have been transported back to the early 1980s,” or “This sounds a bit like ...” followed by any number of band names.

A clear case in point is the track “Locked Out of Heaven,” which will surely have Sting, Andy Summers and Stewart Copeland thinking that a long-lost Police song had been uncovered and recorded by Mars.

Similarly, the reggae beat and styling of the song “Show Me” would have those who can recall it thinking of the British band Musical Youth — all of this is circa 1982, not 2012.

A sorrowful ballad brings back memories of George Michael, again a recording artist of ’80s vintage. And then Mars takes us further back through the decades — “Treasure” has something of a ’70s Motown feel, while “If I Knew” brings back pop stylings of the ’50s and ’60s.

Mars shows considerable acumen in trawling through the history of late 20th century pop music styles and developments. And is there anything wrong with that? Well, no. The songs sound good, the musicianship is sound and Mars’s vocals are consistently solid. But there’s nothing here that could be called “unorthodox,” as the album title would have us believe.

Perhaps the most unorthodox feature of the album is its lyrical content. Mars uses distinctly adult language in expressing himself. Expletives crop up in unexpected, odd and wholly unnecessary places. Perhaps this alone marks the album as a product of the 2010s.

Another odd feature is the return of Mars’s apparent interest in apes. In “The Lazy Song” video hit from the previous album, Mars is accompanied by dancers wearing chimpanzee masks. The cover of “Jukebox” also features an ape, and one track, “Gorilla” has a lyrical reference to the love life of these primates. All a bit odd — or is that “unorthodox”?

Setting minor quibbles aside, Mars has produced a very commercial, but thoroughly enjoyable, second album that shows his pop sense.


Tags: latest new music, hot new music, Bruno Mars new song
Via: thejakartaglobe
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Twilight Actor Bronson Pelletier Peeing in the Airport Terminal

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Bronson Pelletier PEEING in the Airport!! [VIDEO] 

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Bronson Pelletier can't deny it anymore -- the 'Twilight' actor definitely took a leak right in the middle of LAX last month ... and there's video to prove it.

In the video, an airport employee approaches Pelletier ... and then he stumbles around, whips out his penis and starts peeing ... for a very LOOONG TIME!

Interestingly, the airport employee stands by patiently waiting for Pelletier to finish ... until police show up to arrest him.

TMZ broke the story ... Pelletier was busted for public intoxication at LAX after getting thrown off a flight for being too drunk.

Witnesses said Pelletier urinated at the gate moments after he was removed from the plane, but the actor had insisted he did no such thing.

A rep for Pelletier tells TMZ ... Bronson realizes he has issues, and will be entering a treatment program for addiction in the near future.



'Twilight' Actor  Charged with   Public Intoxication
1227_pelletier_bronson "Twilight" actor Bronson Pelletier -- who played a member of the Wolf Pack in the saga -- has been charged with public intoxication stemming from his alleged airport pee incident last week ... TMZ has learned.

A rep for the L.A. City Attorney's office tells us, Pelletier was charged with one count of being drunk in public, a misdemeanor, after he allegedly urinated in the middle of an LAX terminal while waiting for a flight last Monday.

If convicted, Pelletier faces a maximum of 6 months in jail. He's due back in court for his arraignment on January 7th.

Pelletier has DENIED the public urination part of this case ... but that's still in question, based on this video of the arrest.


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Via: TMZ

A Veteran's Day

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Leather patch of the 561st Bomb Squadron of the 388th Bomb Group.

My father entered the Army Air Force in January 1943. The flight records in his folder show training flights at Gulfport Army Air Field MS from July to October 1944 and Hunter Field GA in October 1944.

The next record is from December 1944 at an unstated location for "8th, 3d Air Div, 388th, 561st". We know from other records now public that he was at RAF Knettishall in Suffolk County, England. Technically a Royal Air Force base, it was used exclusively by the United States Army Air Force's 388th Bombardment Group from June 1943 to August 1945. Its only other use was for a few years more as British army supply base. There is a monument at the site.

Peter Brennan flew 33 missions from Knettishall, from November 16, 1944 to March 29, 1945. His role was togglier in a B-17 "Flying Fortress" aircraft. The togglier sat in the glass nosecone, next to the navigator who was behind and to the left. He released the bombs, and he also had a forward-pointing gun. This late in the war, my father said, the Luftwaffe were almost gone, so almost all the enemy fire was from anti-aircraft guns on the ground.

He is sometimes described on paper as a bombardier, and on a rare occasion that he talked about it, he said that technically the lead plane in the formation had a bombardier who determined when to drop, and that the toggliers in the other planes just dropped when they saw lead plane drop. A few days ago I got a better description from Dick Henggeler, 388th Bomb Group historian:
A bombardier was an officer who was able to use the Noden bombsight. A toggilier was able to arm and release the bombs manually. In the group the bombardier in the lead plane released his bombs using the bombsight. All other planes released their bombs when they saw the lead ship release.

The bombsight was very complicated to use and required a lot of training. It actually took into account air speed, ground speed, altitude, and humidity. The bombardier actually flew the plane on the bomb run remotely. I am sure that it is easier to tell people bombardier (which they could understand) rather than toggelier.




The Good Conduct Medal.
It is awarded for exemplary behavior, efficiency, and fidelity in active Federal military service. It is awarded on a selective basis to each Soldier who distinguishes himself or herself from among his or her fellow Soldiers by their exemplary conduct, efficiency, and fidelity throughout a specified period of continuous enlisted active Federal military service, as outlined in this chapter. There is no right or entitlement to the medal until the immediate commander has approved the award and the award has been announced in permanent orders. — Army Regulation, Military Awards
Peter Brennan's 33 missions are all listed on the 388th web page.

There's always more to the story than a list of data. The longest gap he had was between December 31 and Jan 20, a full 18 days. Any reason? Yes.

The December 31 mission, his tenth, was a bad one. Co-pilot Stevens was killed in action. Ball turret gunner Martin and waist gunner Sevy did not fly again. This must be the mission my father told my brother about once. He said only he and the pilot came back in good shape, and that he helped carry out a dead crew member.

He and engineer Huntzinger reappear in a new crew on January 20, and tail gunner Woods joined them January 29.

The crew they joined, Edelman, hadn't had it easy either. They crashed on January 5, apparently in Germany, attributed to flak. None died. Three men became POWs and did not fly again, but they survived the war. The six others are listed as "evadee" but that word is all we get from the available record. Did they get out together? How? Whatever happened, they were not all back in action until February 15. They were put together into their old crew as they became available for duty. The three men from the SmithO crew, including my father, replaced the POWs.

The plane from the December 31 mission, now flown by another crew, met its end in a crash on January 20, and the men were all taken as POWs.




The Air Medal.
The Air Medal is awarded to any person who, while serving in any capacity in or with the U.S. Army, will have distinguished himself or herself by meritorious achievement while participating in aerial flight. Awards may be made to recognize single acts of merit or heroism, or for meritorious service... — Army Regulation, Military Awards

The exact requirements for this medal varied. To some degree the "meritorious achievement" was measured by ships and aircraft destroyed and by number of missions flown in combat. The relevant example was that the Eighth Air Force Third Bombardment Division defined the criteria in April 1944 as six "Bomber, Bomber-Fighter, Photographic, Air Transport, or Observation sorties with distinction" for the medal, and then an oak leaf cluster for each six additional sorties.

At the completion of his tour my father had the Air Medal with four oak leaf clusters, which makes five awards. As stated on a typed document dated April 4, the dates follow his missions 6, 12, 19, 28, and 32. Characteristically, I feel, he did not bother to attach the oak leaf clusters to the ribbon! Allowing for delays, the six awards correspond to the first 30 missions completed "with distinction".



My father completed 33 missions. The standard by this date was 35, and you better believe the men counted those missions. My sister has the paper where our father wrote out each mission, one per line, make that one per numbered line. There wasn't going to be any mistake!

Of the original Edelman crew, two had reached 35, three 34, and one 33. The three added to replace the original crew POWs, including my father, were at 33, 33, and 30. I suppose the commander could have kept most of them around to see if they could fill in another mission or two with other crews, but there must not have been enough need. And besides the main reason they weren't all at 35 together was that six of them had "evaded" after a crash and the other three had escaped serious injury from flak. They'd done enough.

But my brother recalls our father being astonished. As he told my brother, when they came in after the mission and were told that their tour of duty was complete, he felt the need to point out to the officer that he had only 33. And when told again, he actually repeated that he had only 33, causing the officer to firmly say he was all done. And then he said to my brother, still not believing it some sixty years later, "but I only had 33!".





More information at the 388th BG Association web site.

Ball's Bluff

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It was nice day today, Sunday, so we went wandering in the woods in South Mountain Reservation in search of two places. There was a place called Ball's or Balls Bluff that I had never been able to find, and not far from it is Hemlock Falls, our own local natural wonder, which we've found many times but not approaching from the south.

According to the local journal Matters Magazine (originally Maplewood Matters, which was a nice pun, but hard to adapt when they decided to cover South Orange too),
On March 18, 1896, Philander Ball, who lived in Maplewood at 172 Parker Avenue, sold three and a half acres of nearby wooded property to the recently created Essex County Parks Commission. This transaction is remarkable because Ball's parcel of land was the first to be acquired for what would become South Mountain Reservation.
He was of the same family as Timothy Ball, whose colonial-era house I've mentioned in posts about stone houses and the Crooked Brook.

Here's a quick awful map of where we walked. Like many local maps the county's park map follows Dutch tradition and has west at the top.


We parked in a small lot with only two cars in it, the one where the red lines touch the solid black automobile road.

We struck off through the woods following vaguely the so-called trail shown by a dashed line on the map, and found the "bridle path" shown as Overlook Trail. The bridle paths are wide, unpaved, and well eroded. No one rides horses on them.

As shown the bridle path divides at "Balls Bluff". The location is a high knob overlooking the valley to the west, through which flows the West Branch of the Rahway River. It was probably a fine overlook 200 years ago when all the trees had been cut down for lumber.

Here's the same area on the 1902 map, when the reservation was new. The so-called bridle paths are shown by solid lines, which the legend calls "Temporary Drives / Old Woods Roads Improved". The double lines are "Proposed Drives" that were never built.


On the 1902 map, Balls Bluff is called Overlook Point, which matches nicely with the name Overlook Trail on the county's park map.

We started down the Lenape Trail, shown by a dotted line on the map, and found the remains of the Balls Bluff shelter. There's probably an old photograph of it somewhere but I can't find it. (By the way it is hard to search the web for Balls Bluff because there was a Civil War battle of the same name.)

Although we failed to bring a camera with us, all is not lost. Last September the blog Gone Hikin' ran photographs of scenes from a pretty long hike in the res including where we walked today. Before I send you there, let me describe the ruins. Pillars of rounded stones cemented together form a circle around sloping ground. The pillars on the uphill side are very short while those on the downhill side (seen in the photograph) are the tallest. After a moment we realized the tops of the pillars, or at least the unbroken ones, are all level. They must be supports for a wooden floor that is now gone.

Now go look. About halfway down is a photograph of the ruins at Balls Bluff, and right below it is also a photograph of Hemlock Falls.

That's about it. We took the Lenape Trail over hill and through dale and reached the falls. It hasn't rained a lot lately so it was less impressive than it could be. There are new benches. We went back up the grade on the bridle path, past Balls Bluff again, and again had to make our own way from there to the parking lot. We saw a pileated woodpecker working a hole in a tree, a warbler, and some chickadees. It was good.


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2 Ocak 2013 Çarşamba

'Breaking Dawn - Part 2': The Reviews Are In! - VIDEO

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Finale has received best reviews in 'Twilight' history, with one critic saying the cast 'brings liveliness to a franchise known for being soulless.'
Get More: Movie Trailers, Movies Blog


Kristen Stewart, MacKenzie Foy and Robert Pattinson in "Twilight Saga: Breaking Dawn - Part 1"At this point in the lengthy, angst-ridden and obsessed about nature of "The Twilight Saga," all signs point to the fact that the final film in the franchise, "Breaking Dawn - Part 2," is going to be a massive hit. The experts are predicting potential record-breaking-type box office numbers and there are millions of fans who have already bought tickets, so with all that monetary ammunition, does it really matter what the critics think? Do reviews for "Breaking Dawn - Part 2" need to be written?

Perhaps it's not a question of need but want, because the critical mass seemed to want to write all about how Stephenie Meyer's vampire soap opera comes to an end and surprisingly enough, more liked it than did not, which makes "Breaking Dawn - Part 2" the least hated movie of the franchise. Prepare yourself for one last bite as we hunt through the "Breaking Dawn - Part 2" reviews!
The Plot
"After Bella (Kristen Stewart) nearly died during pregnancy in the last movie, her undead husband, Edward (Robert Pattinson), saved her by piercing her neck, thus at long last making a vampire out of her. Now with newborn Renesmee, baby makes three. Played by what look like digitally altered tots and an actual flesh-and-blood girl (Mackenzie Foy), Renesmee is the nominal centerpiece for the final movie and its reason for being. As half-human, half-vampire, and conceived while Bella was still breathing, Renesmee turns out to be an instant problem child. Not only does she look as creepy as the baby Brad Pitt in "The Curious Case of Benjamin Button," she's sprouting as fast as a magical beanstalk and, worse yet, has attracted the attention of the Volturi, a vampire coven in Italy with papal-like authority. Led by Aro (a fabulous, flamboyant Michael Sheen), the Volturi come to believe that Renesmee is an "immortal child" whose milk teeth will instigate a large-scale calamity." — Manohla Dargis, Hollywood.com
The Long Goodbye
"By the time the great vampire showdown finally got started, I was good and done with 'Breaking Dawn - Part 2.' But the big action scene is so campily over the top — with one twist so unforeseeable — that it sent me out on a burst of grudging goodwill. The film's endlessly drawn-out ending, with its multiple spoken and written iterations of the book's last word, 'forever,' over an image of the matte-skinned, cultishly beatific Cullens, may be the scariest moment in the whole pulpy yet vital Twilight series — a teenage girl's fantasy of perfect domestic contentment, frozen in time and doomed to last forever." — Dana Stevens, Slate.com
The Final Word
" 'Breaking Dawn - Part 2' starts off slow but gathers momentum, and that's because, with Bella and Edward united against the Volturi, the picture has a real threat. It's structured as a classic monster-movie showdown, and when the two are standing with their ragtag rebel team in the Northwest snow, facing Aro and his monk-hooded Volturi army, the film takes off -- into eye-popping violence and spectacle. ...And wait until you get to the twist ending! It's one of the most shocking moments in the series, yet also one of the lightest. It made me realize that, as narratively lumpy as they can be, I like the 'Twilight' films because they're really about the eternal movie romance of vampires at play." — Owen Gleiberman, Entertainment Weekly





‘Twilight: Breaking Dawn -- Part 2’: On-the-scene for fan reactions
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If you’re at the midnight premiere of Twilight: Breaking Dawn — Part 2 (well, technically, a 10 p.m. Thursday night show) chances are you’re already more than familiar about what exactly goes down in the finale of the vampire saga. With my colleagues Lanford Beard (who was coming off an all-day Twilight marathon) and Denise Warner, we braved the first public showtime in Manhattan alongside a – no surprise – sold-out crowd. More surprising was how adult and costume-free our group seemed to be.

While our theater clearly was audibly buzzing with anticipation, the dirty little secret is that in the book, not a whole heck of a lot happens in the second half of Breaking Dawn. There’s a Volturi battle, and an arm-wrestling match (What big muscles you have, Emmett!), but there’s also a ton of contemplative stares and thoughts on Jacob’s relationship with Renesmee. So you can forgive fans for being a little skeptical, albeit excited, when I asked them for their thoughts prior to the final film release.

First up was a giggly trio of friends who ID’d themselves as “let’s say right around [age] 30” that I caught up with in line at the concession stand. Like a lot of fans I spoke with, Charity Worrell has been a long-time Twi-hard – and the experiences she had with her friends obsessing over the trio are what she’s going to miss most about this whole phenomenon. “We watched them all in row, all together just before [coming here],” she shared.

Worrell’s friends said that the part they were most looking forward to was the ending. “In the book, the ending, when [Edward] can finally see into [Bella's] mind. That was my favorite part of the book. It made me cry,” Angela Park said. The other woman in their group, Kristina Gianakos, just laughed: “I didn’t read the books! So, I just want to see [Edward and Bella] make out a lot!” Spoiler alert: She gets her wish.

THE 'TWILIGHT' SAGA: Get the latest news, photos, and more

Another group of friends was concerned about how some of the book plots were going to unfold. “I think when Jacob falls in love with the child [is the scene I’m most curious about.] She’s so young. And [Jacob] loved Bella! I think it’s going to be hit or miss. They can either pull it off or they can’t. … I think [the producers] will make it look cheesy,” fan Keri Shean speculated right before the movie started.

And then, just like that, after a battle and a love story concluded, the franchise was done. No more “Team” T-shirts. No more shirtless Jacob. No more Cullen Family Baseball. Critics have had their say (read EW’s review of Twilight: Breaking Dawn — Part 2) but I was also curious what the people who loved it the most thought about the ending.

After the film, I grabbed people from our screening for a mini-focus group – and, as to be expected, emotions were running high. (SPOILER ALERT IF YOU DON’T WANT TO KNOW HOW IT ENDS!) Everyone had lots of thoughts on that big ol’ twist that Kristen Stewart had been talking up in press interviews. During the show there was screaming and lots of freaking out by our audience, but afterwards, fans seemed to like the more visceral final battle between the Cullens and the Volturi — even if it did turn out to be not 100 percent loyal to the book.

“It was crazy,” said one fan. “I kept [turning to my friends and] saying, ‘This better be a dream!’” Another agreed that it was unexpected, but thought the change was for the best. “I think they had to do something, or else it would be really boring.” Yet another chimed in: “I liked the way they ended it. It made more sense to scare [Aro]; that was more climactic than it was in the book.”

Of course, the film also had its dissenters: “This one, as compared to the other [movies], supremely more inaccurate. Before the flashback even came. I mean, all of them are comical but as far as accuracy to the books, this one was so different. It wasn’t even an adaptation to the book. It was just its own film,” said fan Katie Ritchey.

But perhaps Ritchey just had a lot of feelings catching up with her at once. She, like many I spoke with, felt that they were saying goodbye to something. “We no longer have a series that we started [together]. Harry Potter, gone. This was like the last thing for us to hold onto. I’m a little bit [nostalgic].”




Via: MTVVia:POPWatch

Christina Aguilera's fuller figure at AMA awards prompts Twitter fire

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Check out the video (above) to watch the interview in its entirety and see how XTina becomes very emotional as she discusses her own childhood and experiences with bullying.She may have struggled back then, but the success of songs like Fighter and Beautiful may have never come to be without them. There's a silver lining if we've ever heard one… 
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Nicki Minaj and Christina Aguilera were blonde bombshells at the AMA Awards on Sunday night. Minaj's hair was busy and full of volume and she sported a neon strapless gown to accept her first award. Aguilera wore a blonde bob in a purple dress that matched her eyeshadow.

Aguilera also performed a medley of material from her new album and joined Pitbull onstage.

But it wasn't her performance, or her hair, that had tongues wagging -- it was Aguilera's much fuller figure. Here are a few representative tweets from AMA viewers:

"Carrie Underwood is what Christina Aguilera thinks she looks like right now. And no one has the heart to tell her "NAWL.""

"Christina Aguilera looks like Snooki. No wait, that's an insult to Snooki."

"Did Christina Aguilera eat one of Willy Wonka's blueberries?"

But Aguilera was not without her Twitter defenders.

"Christina Aguilera looked gorgeous last night. I love this dress and the diva attitude she is serving!"

"Anyone who says Christina Aguilera isnt amazing can leave nearest exit to the left thanks.'

"New hairstyle and looking gorgeous! Christina Aguilera aka Legendtina Godulara!"


Ask any musician alive and they'll tell you FOR SURE, that their greatest songs came from their greatest pain.

See? It pays to have a creative outlet!

It has been 13 years since her genie came creeping out of a bottle, but now Christina Aguilera is a full-grown, 5-tim Grammy winning artist and mommy — and she sees no end in sight.

In promoting her new album Lotus, XTina sat down for an intimate Dateline interview to discuss her journey to this point and shared some interesting realizations about how her journey has influenced her music.

christina aguilera before after 660 reuters.jpg








Via: PerezHilton
Via: FoxNews
Via: Gossiponthis

Bruno Mars stays on top of Billboard's "Hot 100"

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Bruno Mars stays on top of Billboard's "Hot 100" with 'Locked Out of Heaven'

Bruno Mars appears in a photo posted on his Facebook page on January 25, 2012.Bruno Mars appears in a photo posted on his Facebook page on January 25, 2012. (Andreas Laszlo Konrath)

December 23, 2012 ( NEW YORK CITY) -- Atlantic recording artist Bruno Mars is standing tall atop Billboard's "Hot 100" for the second consecutive week as "Locked Out Of Heaven" continues its reign at No. 1.

video
The single -- which marks the Grammy Award-winner's fourth chart-topper -- is featured on Mars' just-released sophomore album, "UNORTHODOX JUKEBOX," which has made its SoundScan/Billboard 200 debut at No. 2 with sales in excess of 192,000 -- marking the singer/songwriter/producer/musician's highest first week sales debut.

"UNORTHODOX JUKEBOX" has exploded to the top spot on the British album charts, making history as the United Kingdom's fastest selling solo album of 2012. The album's phenomenal success follows the equivalent popularity of Mars' now classic 2010 debut, "DOO-WOPS & HOOLIGANS," which proved the U.K.'s third best-selling album of 2011 and also entered the charts at No. 1.

"Locked Out Of Heaven" is currently sitting at No. 1 on the European Airplay Chart -- making it the most played song on the European continent. The single is also sitting atop Canada's Hot 100 chart. Stateside, "Heaven" marks Mars' fifth single to hit No. 1 on the BDS Pop Songs chart, tying him with Nelly and Justin Timberlake for the most leaders among solo males. "Heaven" is also the 10th single Mars has written, produced, or performed to hit the top 5 on the overall "Hot 100." In addition, the single is Mars' ninth consecutive top 10 hit on the Billboard "Hot 100 Airplay" chart, sealing his already-established status as the male artist with the longest streak of top 10 hits as a performer since his debut.

Along with its overall chart success, "Locked Out Of Heaven" is an undeniable online sensation, spending multiple days at No. 1 on the iTunes Store's "Top Songs" tally. As if that weren't enough, the "Locked Out Of Heaven" companion video clip is also lighting it up at YouTube, drawing more than 43 million streams thus far at Bruno's official channel, www.youtube.com/brunomars.

This Tuesday saw Mars unveiling the next single from "UNORTHODOX JUKEBOX" with a stunning debut performance of "When I Was Your Man" on the season finale of NBC's smash singing competition series, The Voice (http://www.youtube.com/watch?v-8sYPCAf_1o). The track shot to the top 10 on the iTunes Singles Chart within 48 hours of its release, and did so again following Mars' performance on The Voice. "When I Was Your Man" is currently sitting at No. 8 on the iTunes Singles Chart, and an official companion video is currently in production.


Mars' performance on The Voice follows a string of high profile appearances heralding "UNORTHODOX JUKEBOX," including visits to NBC's TODAY, Fox's The X-Factor, CBS' Sunday Morning and their annual The Victoria's Secret Fashion Show, and the nationally syndicated The Ellen DeGeneres Show. Additionally, Mars' critically acclaimed turn as host and musical guest on NBC's Saturday Night Live -- the episode that marked this season's highest ratings -- will be rebroadcast on Saturday, December 22nd.

As its title suggests, "UNORTHODOX JUKEBOX" once again sees Mars melding a multitude of musical approaches to create his own distinctive sound. Executive produced by The Smeezingtons, the hit-making production team comprised of Mars, Philip Lawrence, and Ari Levine, the collection also features contributions from such top producers as Jeff Bhasker (fun., Kanye West, Jay-Z), Mark Ronson (Amy Winehouse, Lil Wayne, Black Lips) and Diplo (M.I.A, Usher).

"UNORTHODOX JUKEBOX" has quickly earned massive critical acclaim, with Rolling Stone hailing the collection as "a record that makes the competition sound sad and idea-starved by comparison." Entertainment Weekly placed the album atop a recent "Must List," claiming Mars "aims his croon at a range of targets -- reggae, soul, Prince-inspired pop -- and hits the mark every time." Billboard summed it up, declaring that the "boldly ambitious and gloriously irreverent 'UNORTHODOX JUKEBOX' is made for -- and gets better with -- as many repeat plays as you can manage."

Bruno Mars is undoubtedly among contemporary pop's most gifted and compelling artists. And with global sales currently certified at 40x-platinum and over 50 million singles sold worldwide, the 14-time Grammy Award nominee has fully proven himself as a true superstar.

Released in October 2010, "DOO-WOPS & HOOLIGANS" was greeted with both popular success and critical acclaim from all corners of the globe. "The year's finest pop debut," raved Rolling Stone. "Near-flawless...(the album) delivers pleasure without pretension." Fueled by a remarkable string of hit singles, including the multi-platinum ?1 smashes, "Just The Way You Are" and "Grenade," the album instantly confirmed Mars as a major force in modern pop music.

Mars soon racked up a remarkable record of prestigious international awards and nominations, with victories including a "Best Male Pop Vocal Performance" Grammy Award (for "Just The Way You Are"), an American Music Award for "Pop or Rock Music/Favorite Male Artist," a 2012 Brit Award (for "International Male Solo Artist"), two Teen Choice Awards, a 2012 People's Choice Award (for "Favorite Male Artist"), a Soul Train Music Award, two MTV Europe Music Awards, two MTV Music Awards Japan, a BT Digital Music Award, an ECHO Award, and multiple 2011 Billboard Awards including "Top Male Hot 100 Artist of the Year."

As if that weren't enough, Mars received a truly stunning assortment of 2011 and 2012 honors from ASCAP, including the ASCAP Pop Award for "Song of the Year" (for "Just The Way You Are"). In 2011, he was named to the prestigious Time 100, confirming the superstar as one of the most influential people in the world.
 

Nothing ‘Unorthodox’ Here, but Bruno Mars 
Shows His Pop Chops
Bruno Mars shows flashes of great pop music artistry on his sophomore album but borrows heavily from the past. (EPA Photo/Andrew Gombert) Bruno Mars shows flashes of great pop music artistry on his sophomore album but borrows heavily from the past. (EPA Photo/Andrew Gombert)    


It is somewhat ironic that the first time I really paid attention to Bruno Mars as a singer-songwriter was when he was performing someone else’s song.

At the MTV Video Music Awards ceremony in 2011, Mars performed the song “Valerie” as a tribute to the recently deceased Amy Winehouse, who made the song written by the Zutons one of her biggest hits.

Backed by a big band, Mars gave an impressive rendition in a throwback style to the early rock ’n’ rollers of the 1950s, showing off his talent and popular music savvy.

Listeners are treated to a similarly impressive performance in his second studio album, “Unorthodox Jukebox,” released earlier this month.

A follow-up to the massively successful 2010 debut “Doo-Wops & Hooligans,” the latest offering from Mars is sure to maintain his place in the popular music stratosphere.

Mars has talent and he is looking after it. Apart from penning his own songs, he also writes for others, produces as part of the production team known as the Smeezingtons, and — as the VMA performance showed — is a genuine and natural entertainer, in contrast to the packaged and produced “stars” that emerge from too many TV talent shows.

“Unorthodox Jukebox” shows Mars as an artist with the ability to span genres and produce memorable, if somewhat formulaic, pop songs.

The title of the album appears to be half true and half false. It’s true that Mars has the ability to be something of a one-man “jukebox” with the variety of songs that he can deliver, but “unorthodox” is really a false description.

Listening to the album, you may find yourself thinking, “This is a time warp and I have been transported back to the early 1980s,” or “This sounds a bit like ...” followed by any number of band names.

A clear case in point is the track “Locked Out of Heaven,” which will surely have Sting, Andy Summers and Stewart Copeland thinking that a long-lost Police song had been uncovered and recorded by Mars.

Similarly, the reggae beat and styling of the song “Show Me” would have those who can recall it thinking of the British band Musical Youth — all of this is circa 1982, not 2012.

A sorrowful ballad brings back memories of George Michael, again a recording artist of ’80s vintage. And then Mars takes us further back through the decades — “Treasure” has something of a ’70s Motown feel, while “If I Knew” brings back pop stylings of the ’50s and ’60s.

Mars shows considerable acumen in trawling through the history of late 20th century pop music styles and developments. And is there anything wrong with that? Well, no. The songs sound good, the musicianship is sound and Mars’s vocals are consistently solid. But there’s nothing here that could be called “unorthodox,” as the album title would have us believe.

Perhaps the most unorthodox feature of the album is its lyrical content. Mars uses distinctly adult language in expressing himself. Expletives crop up in unexpected, odd and wholly unnecessary places. Perhaps this alone marks the album as a product of the 2010s.

Another odd feature is the return of Mars’s apparent interest in apes. In “The Lazy Song” video hit from the previous album, Mars is accompanied by dancers wearing chimpanzee masks. The cover of “Jukebox” also features an ape, and one track, “Gorilla” has a lyrical reference to the love life of these primates. All a bit odd — or is that “unorthodox”?

Setting minor quibbles aside, Mars has produced a very commercial, but thoroughly enjoyable, second album that shows his pop sense.


Tags: latest new music, hot new music, Bruno Mars new song
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A Veteran's Day

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Leather patch of the 561st Bomb Squadron of the 388th Bomb Group.

My father entered the Army Air Force in January 1943. The flight records in his folder show training flights at Gulfport Army Air Field MS from July to October 1944 and Hunter Field GA in October 1944.

The next record is from December 1944 at an unstated location for "8th, 3d Air Div, 388th, 561st". We know from other records now public that he was at RAF Knettishall in Suffolk County, England. Technically a Royal Air Force base, it was used exclusively by the United States Army Air Force's 388th Bombardment Group from June 1943 to August 1945. Its only other use was for a few years more as British army supply base. There is a monument at the site.

Peter Brennan flew 33 missions from Knettishall, from November 16, 1944 to March 29, 1945. His role was togglier in a B-17 "Flying Fortress" aircraft. The togglier sat in the glass nosecone, next to the navigator who was behind and to the left. He released the bombs, and he also had a forward-pointing gun. This late in the war, my father said, the Luftwaffe were almost gone, so almost all the enemy fire was from anti-aircraft guns on the ground.

He is sometimes described on paper as a bombardier, and on a rare occasion that he talked about it, he said that technically the lead plane in the formation had a bombardier who determined when to drop, and that the toggliers in the other planes just dropped when they saw lead plane drop. A few days ago I got a better description from Dick Henggeler, 388th Bomb Group historian:
A bombardier was an officer who was able to use the Noden bombsight. A toggilier was able to arm and release the bombs manually. In the group the bombardier in the lead plane released his bombs using the bombsight. All other planes released their bombs when they saw the lead ship release.

The bombsight was very complicated to use and required a lot of training. It actually took into account air speed, ground speed, altitude, and humidity. The bombardier actually flew the plane on the bomb run remotely. I am sure that it is easier to tell people bombardier (which they could understand) rather than toggelier.




The Good Conduct Medal.
It is awarded for exemplary behavior, efficiency, and fidelity in active Federal military service. It is awarded on a selective basis to each Soldier who distinguishes himself or herself from among his or her fellow Soldiers by their exemplary conduct, efficiency, and fidelity throughout a specified period of continuous enlisted active Federal military service, as outlined in this chapter. There is no right or entitlement to the medal until the immediate commander has approved the award and the award has been announced in permanent orders. — Army Regulation, Military Awards
Peter Brennan's 33 missions are all listed on the 388th web page.

There's always more to the story than a list of data. The longest gap he had was between December 31 and Jan 20, a full 18 days. Any reason? Yes.

The December 31 mission, his tenth, was a bad one. Co-pilot Stevens was killed in action. Ball turret gunner Martin and waist gunner Sevy did not fly again. This must be the mission my father told my brother about once. He said only he and the pilot came back in good shape, and that he helped carry out a dead crew member.

He and engineer Huntzinger reappear in a new crew on January 20, and tail gunner Woods joined them January 29.

The crew they joined, Edelman, hadn't had it easy either. They crashed on January 5, apparently in Germany, attributed to flak. None died. Three men became POWs and did not fly again, but they survived the war. The six others are listed as "evadee" but that word is all we get from the available record. Did they get out together? How? Whatever happened, they were not all back in action until February 15. They were put together into their old crew as they became available for duty. The three men from the SmithO crew, including my father, replaced the POWs.

The plane from the December 31 mission, now flown by another crew, met its end in a crash on January 20, and the men were all taken as POWs.




The Air Medal.
The Air Medal is awarded to any person who, while serving in any capacity in or with the U.S. Army, will have distinguished himself or herself by meritorious achievement while participating in aerial flight. Awards may be made to recognize single acts of merit or heroism, or for meritorious service... — Army Regulation, Military Awards

The exact requirements for this medal varied. To some degree the "meritorious achievement" was measured by ships and aircraft destroyed and by number of missions flown in combat. The relevant example was that the Eighth Air Force Third Bombardment Division defined the criteria in April 1944 as six "Bomber, Bomber-Fighter, Photographic, Air Transport, or Observation sorties with distinction" for the medal, and then an oak leaf cluster for each six additional sorties.

At the completion of his tour my father had the Air Medal with four oak leaf clusters, which makes five awards. As stated on a typed document dated April 4, the dates follow his missions 6, 12, 19, 28, and 32. Characteristically, I feel, he did not bother to attach the oak leaf clusters to the ribbon! Allowing for delays, the six awards correspond to the first 30 missions completed "with distinction".



My father completed 33 missions. The standard by this date was 35, and you better believe the men counted those missions. My sister has the paper where our father wrote out each mission, one per line, make that one per numbered line. There wasn't going to be any mistake!

Of the original Edelman crew, two had reached 35, three 34, and one 33. The three added to replace the original crew POWs, including my father, were at 33, 33, and 30. I suppose the commander could have kept most of them around to see if they could fill in another mission or two with other crews, but there must not have been enough need. And besides the main reason they weren't all at 35 together was that six of them had "evaded" after a crash and the other three had escaped serious injury from flak. They'd done enough.

But my brother recalls our father being astonished. As he told my brother, when they came in after the mission and were told that their tour of duty was complete, he felt the need to point out to the officer that he had only 33. And when told again, he actually repeated that he had only 33, causing the officer to firmly say he was all done. And then he said to my brother, still not believing it some sixty years later, "but I only had 33!".





More information at the 388th BG Association web site.

Ball's Bluff

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It was nice day today, Sunday, so we went wandering in the woods in South Mountain Reservation in search of two places. There was a place called Ball's or Balls Bluff that I had never been able to find, and not far from it is Hemlock Falls, our own local natural wonder, which we've found many times but not approaching from the south.

According to the local journal Matters Magazine (originally Maplewood Matters, which was a nice pun, but hard to adapt when they decided to cover South Orange too),
On March 18, 1896, Philander Ball, who lived in Maplewood at 172 Parker Avenue, sold three and a half acres of nearby wooded property to the recently created Essex County Parks Commission. This transaction is remarkable because Ball's parcel of land was the first to be acquired for what would become South Mountain Reservation.
He was of the same family as Timothy Ball, whose colonial-era house I've mentioned in posts about stone houses and the Crooked Brook.

Here's a quick awful map of where we walked. Like many local maps the county's park map follows Dutch tradition and has west at the top.


We parked in a small lot with only two cars in it, the one where the red lines touch the solid black automobile road.

We struck off through the woods following vaguely the so-called trail shown by a dashed line on the map, and found the "bridle path" shown as Overlook Trail. The bridle paths are wide, unpaved, and well eroded. No one rides horses on them.

As shown the bridle path divides at "Balls Bluff". The location is a high knob overlooking the valley to the west, through which flows the West Branch of the Rahway River. It was probably a fine overlook 200 years ago when all the trees had been cut down for lumber.

Here's the same area on the 1902 map, when the reservation was new. The so-called bridle paths are shown by solid lines, which the legend calls "Temporary Drives / Old Woods Roads Improved". The double lines are "Proposed Drives" that were never built.


On the 1902 map, Balls Bluff is called Overlook Point, which matches nicely with the name Overlook Trail on the county's park map.

We started down the Lenape Trail, shown by a dotted line on the map, and found the remains of the Balls Bluff shelter. There's probably an old photograph of it somewhere but I can't find it. (By the way it is hard to search the web for Balls Bluff because there was a Civil War battle of the same name.)

Although we failed to bring a camera with us, all is not lost. Last September the blog Gone Hikin' ran photographs of scenes from a pretty long hike in the res including where we walked today. Before I send you there, let me describe the ruins. Pillars of rounded stones cemented together form a circle around sloping ground. The pillars on the uphill side are very short while those on the downhill side (seen in the photograph) are the tallest. After a moment we realized the tops of the pillars, or at least the unbroken ones, are all level. They must be supports for a wooden floor that is now gone.

Now go look. About halfway down is a photograph of the ruins at Balls Bluff, and right below it is also a photograph of Hemlock Falls.

That's about it. We took the Lenape Trail over hill and through dale and reached the falls. It hasn't rained a lot lately so it was less impressive than it could be. There are new benches. We went back up the grade on the bridle path, past Balls Bluff again, and again had to make our own way from there to the parking lot. We saw a pileated woodpecker working a hole in a tree, a warbler, and some chickadees. It was good.


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